![]() ![]() This effect, often called ratcheting, was popularized in the mid-1970s by the German electronic music ensemble Tangerine Dream, and it’s long been considered a mainstay of classic Berlin School sequencing. During playback, it causes a step to trigger a fixed number of times before moving on to the next step it may sound rather like a stutter. Step division may be the most interesting and useful of these. Clicking on the square above a step’s velocity slider reveals a popup menu for selecting Transpose, Slide, Chords, Hi-Low, or Step Divider values from submenus. Step modifiers give Omnisphere’s arpeggiator a few unique capabilities. The Function menu is also where you initialize an arpeggio, resulting in a clean stale, or delete all its step modifiers. Reverse Order creates a mirror image of the arpeggio, and Shuffle creates a random pattern of the existing steps. ![]() Rotate Left moves the first step to the last position and shifts everything else one step sooner, whereas Rotate Right moves the last step to the first position and shifts everything else one step later. The next four commands change the order that steps play, and they don’t affect arpeggio length. Because arpeggios are limited to no more than 32 steps, these functions work best with 16 steps or fewer. The Duplicate Range command simply repeats the arpeggio, doubling its length and making copy-and-paste a convenient one-step operation, whereas Duplicate Mirror pastes the repeated instance in reverse order. Functions are all about improving your workflow and saving time. That makes it ideal for playing rhythmic chord progressions.Ĭlicking the triangle just to the right of the Arpeggiator header reveals the Functions menu. Rather than playing an arpeggio, the Chord setting plays block chords on every step in a rhythmic pattern. Try them out for yourself, and consult Omnisphere’s manual when you don’t immediately grasp what’s going on. You may find these more unusual patterns most useful when you set their range to cover more than one octave. You’ll find all the patterns you’d expect-Up, Down, Up/Down, As Played, and Random-as well as some you probably don’t, such as Join, Spread, Stairs Up/Down, Repeat X4, and Down/Up+. On the Arpeggiator panel’s upper left, the Note Patterns menu determines the order that notes will play when you trigger an arpeggio. ![]() Don’t forget, if you edit an arpeggiator preset and then switch to another without first saving it, then your edits will be lost. However, Presets you edit and save are not in the Presets > Arpeggiator folder, but in the Presets > User > Arpeggiator folder. Like every other kind of Omnisphere preset file, arpeggiator presets are located on your computer’s Spectrasonics > STEAM > Omnisphere > Settings Library > Presets folder or directory. On the panel’s upper-right corner, use the dropdown Arpeggiator Presets menu to choose from dozens of factory-programmed arpeggios, to initialize an empty preset, to save new or edited presets, and to copy and paste presets between locations. Clicking on the Arpeggiator’s power button enables or disables its operation. The horizontal slider below determines the number of steps in the current arpeggio dragging its right handle to the left decreases the arpeggio’s length. The Arpeggiator panel displays 32 steps, each with a button at the bottom that enables or disables it, a bar whose height determines its velocity and width determines its duration, and a square at the top that turns on its step modifier. Let’s take a look at some of these new capabilities. Another new feature: each of the eight parts in a multi can have its own arpeggiator, which means eight independent patterns can run simultaneously. Among these features are new and unique note patterns, step modifiers that divide single notes into multiple notes, and the ability to record the arpeggiator’s output as a MIDI file. It’s so versatile that you could craft your own timbral universe without sounding like anyone else who uses it.Īlongside other enhancements, the latest edition of Omnisphere debuts an updated and expanded arpeggiator with many innovative features previous versions didn’t have. One of its greatest strengths is its versatility-the result of brilliant programming, the ability to import user samples, and an enormous variety of factory patches created by some of the most talented sound designers in the world. Omnisphere is one of the most popular soft synths ever, which shouldn’t surprise anyone who’s ever used it. ![]()
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